
Historic photographic processes have become an exciting alternative and even complementary technique to digital imaging.
At George Eastman House, participants not only get hands-on instruction on the processes, but also get to view prime examples from the Museum’s incomparable collections. No prior experience is necessary for most of these workshops. They are suitable for artists, photographers, students, teachers, and anyone interested in using these rare 19th century processes in the 21st century.
Don't see the process you'd like to learn? We teach a wide variety of early photographic techniques in private group workshops and individual tutorials. We offer workshops all over the world, and events can also be held at an institution near you. Ask about arranging a workshop or illustrated lecture to suit your needs.
For more information or to register, contact Stacey VanDenburgh at (585) 271-3361 ext. 323 or by e-mail at svandenburgh@geh.org.
Start-up funding for this workshop series was provided by a grant from Howard and Carole Tanenbaum.
For paper registration, click here (.pdf)
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Gelatin Bromide Emulsion Making March 18-21, 2013
$665.00Instructors: Mark Osterman and Ron Mowrey Price includes a $90 materials fee. Please specify member number for member discount. Learn MoreOut of stock
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Albumen & Salt Printing January 21-24, 2013
$635.00Instructor: Mark Osterman Price includes a $60 materials fee. Please specify member number for member discount. Learn MoreOut of stock
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Physautotypes February 4-6, 2013
$565.00Instructor: Mark Osterman Price includes a $90 materials fee. Please specify member number for member discount. Learn MoreOut of stock
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Daguerreotypes April 23-26, 2013
$1,750.00Sold Out! Waiting list only.
Conducted by Mike Robinson, acknowledged as a modern master of the medium, this workshop covers the perfected techniques used by commercial daguerreotypists in the 1850s. Participants will learn both modern and traditional techniques of polishing and will produce two mercury-developed, gilded daguerreotypes. Instructors: Mike Robinson and Mark Osterman.
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Collodion Emulsion Printing Paper May 6-8, 2013
$535.00Process Historian Mark Osterman published the first modern directions on how to make collodion emulsions in the third edition of Steve Anchell’s Darkroom Cookbook. In this workshop, Osterman will teach how to mix the emulsion, coat paper by hand, print, and process this amazing silver chloride emulsion.
Price includes a $60 materials fee.
After you click on the title of this workshop, you will be taken to an order form where you may specify member number for member discount or add the extra day option.
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Ambrotypes for Beginners May 20-22, 2013
$565.00Sold Out! Waiting list only.
Learn to make your own wet collodion direct positives on glass during this three-day, hands-on workshop with Mark Osterman, internationally respected as a modern master of the medium. You will learn how to cut and clean glass plates, coat the plates with collodion, sensitize, expose, and process the final image.
Instructor: Mark Osterman
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Tintype Excursion on the Erie Canal June 3-7, 2013
$1,800.00For the first time since the golden age of collodion, we are offering a truly unique experience to relive the wet plate canal excursions of the 1870s.
Instructor: Mark Osterman. Price includes a $200 materials fee.
After you click on the title of this workshop, you will be taken to an order form where you may specify member number for member discount.
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35mm Daguerreotypes July 8-10, 2013
$665.00Learn to make real daguerreotypes with your own 35mm camera without expensive processing equipment or dangerous chemicals.Instructor: Mark Osterman
Price includes a $90 materials fee.
After you click on the title of this workshop, you will be taken to an order form where you may specify member number for member discount or add the extra day option.
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Dry Collodion Negatives in New England July 22-26, 2013
$1,800.00Join us for a week-long collodion negative shoot in the New England mill town of Manchester, CT.
Instructor: Mark Osterman. Price includes a $200 materials fee.
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Tintype Making: the Basics August 5-6, 2013
$330.00Make your own tintype portrait and still-life image in this special two-day workshop for beginners. Learn the basics of the 1850s wet collodion process used for making real tintypes.
Instructor: Mark Osterman. Price includes a $30 materials fee.
After you click on the title of this workshop, you will be taken to an order form where you may specify member number for member discount.
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History of the Tintype August 7, 2013
$185.00In response to many requests, this is a special one-day lecture class for those who wish to learn more about the tintype through lectures on the evolution of the Melainotype and Ferrotype (also known as the tintype), a demonstration of the process, and viewing original images and tintype-era equipment from the extensive collection of the George Eastman House.
Instructor: Mark Osterman Price includes a $10 materials fee.
May be combined withTintype Making: the Basics on August 5-6, 2013 or August 8-9, 2013.
After you click on the title of this workshop, you will be taken to an order form where you may specify member number for member discount.
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Tintype Making: the Basics August 8-9, 2013
$330.00Make your own tintype portrait and still-life image in this special two-day workshop for beginners. Learn the basics of the 1850s wet collodion process used for making real tintypes.
Instructor: Mark Osterman. Price includes a $30 materials fee.
After you click on the title of this workshop, you will be taken to an order form where you may specify member number for member discount.
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Ambrotypes and Tintypes August 19-23, 2013
$1,100.00Sold Out! Waiting list only.
Ambrotypes and tintypes are the hottest alternative processes used in fine art photography today. In this intensive five-day workshop, participants will be guided through the basics of making these unique positive wet-collodion images by Mark Osterman, internationally recognized as a modern master of the collodion process. Price includes a $200 materials fee.
After you click on the title of this workshop, you will be taken to an order form where you may specify member number for member discount.
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Collodion Negatives: Wet and Dry September 16-20, 2013
$1,300.00Sold Out! Waiting list only
This five-day, intensive, hands-on negative workshop is for the experienced collodion ambrotypist or tintypist who wants to get to the next level. Taught by Mark Osterman, participants will learn the theory that sets the collodion negative apart from ambrotypes and tintypes. The rare dry collodion process will also be taught, allowing the photographer to shoot negatives in the field without the need for a darkroom or silver bath.
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Spirit Photography October 21-24, 2013
$635.00Make your own ghost images in our first ever Spirit Photography Workshop. You’ll begin by learning the basics of making wet collodion tintypes by process historian Mark Osterman in the famous Scully & Osterman Skylight Studio. Then you’ll be shown the 19th-century secrets of making ghost imagery in a workshop that promises to be a great experience for everyone.
Instructor: Mark Osterman. Price includes a $60 materials fee.
After you click on the title of this workshop, you will be taken to an order form where you may specify member number for member discount.
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Carbon Transfer Printing November 4-6, 2013
$535.00Unlike silver prints, the carbon print image is formed with the same pigments used for centuries in artists’ oil colors. The key to making carbon prints is a sheet of pigmented gelatin called a “tissue.” These can be purchased, but are expensive and limited to only a handful of colors. In this workshop, you’ll get hands-on experience in how to make carbon prints in any color using watercolors available at your local art store.
Instructor: Mark Osterman. Price includes a $60 materials fee.
After you click on the title of this workshop, you will be taken to an order form where you may specify member number for member discount or add the extra day option.
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Opaltypes & Orotones November 18-22, 2013
$1,300.00The opaltype, or milk glass positive, is an image on a white glass plate. Used primarily for portraits from the late 1860s to the 1930s, originals are difficult to find. Orotones, popularized by Edward Curtis, are images on clear glass with highlights of gold-colored powder. Learn both of these rare processes in the same workshop.
Instructor: Mark Osterman.
Price includes a $200 materials fee.
After you click on the title of this workshop, you will be taken to an order form where you may specify member number for member discount.
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Framing Alternative Photographs December 9-11, 2013
$565.00Making a beautiful image with historic or alternative processes requires a lot of hard work, careful craftsmanship and a strong commitment to an aesthetic. The same amount of attention should go toward framing your images. In this workshop, participants will learn how to mat and frame photographs from Rheytchul Kimmel in the Museum’s Creative Services Department.
Instructors: Rheytchul Kimmel and Mark Osterman. Price includes a $90 materials fee.
After you click on the title of this workshop, you will be taken to an order form where you may specify member number for member discount.
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